Author Archives: Alan Rich

Father of Reinvention

The Philharmonic’s Stravinsky Festival is at its midpoint as I write. That the performances have been splendid is, of course, a given; something in Esa-Pekka Salonen’s own lively curiosity, his way of reacting to musical adventure of high audacity, the … Continue reading

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L.A. STRAVINSKY FESTIVAL

Operating on the brave but often-challenged principle that an audience still exists for, and cares about, the music of the recent past, the Los Angeles Philharmonic’s current “Focus on Igor Stravinsky” festival focusses broadly. Over four weeks ending March 12, … Continue reading

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Cleopatra Takes a Bath

In 48 B.C. or thereabouts, some kind of hanky-panky may or may not have occurred between Julius Caesar, conqueror of Egypt, and Cleopatra, claimant to that country‘s throne. Caesar was 52 at the time; Cleopatra was 20. Several centuries later, … Continue reading

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“GIULIO CESARE” AT THE L.A. OPERA

Handel has earned his place –  a century late, perhaps, but decisively. The most convincing of the old arguments, that a world enlightened by more benign attitudes toward surgery had therefore cut itself off from the requisite singers for this … Continue reading

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Brain Waves

When Marino Formenti gave his first piano recital at LACMA’s Bing Theater last April, there were something like 50 people scattered through the 600-seat hall — the usual turnout, in other words, for a new-music program at the Museum. Two … Continue reading

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Loving Ludwig

On a rainy night last week I fell in love with Beethoven’s Violin Concerto. Really, I mean, in love. I heard the first drumbeats as if they came from my own throbbing temples; the opening music for winds was smooth, … Continue reading

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Adams the Accessible

Threaded like a litany though the recent writing about John Adams — of which there has been considerable, local and national — is the proclamation of him as the most “accessible” of contemporary composers. Surely the term has the ring … Continue reading

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Things Past

Reviving Peter Maxwell Davies’ Eight Songs for a Mad King was the latest of XTET‘s many good deeds. Perhaps this hardy band of local freelance players, founded in 1986, should have been renamed “IXTET Plus Conductor and Stage DirectorDesigner” for … Continue reading

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Galore If Not Gala

A week that offers both The Marriage of Figaro and Don Giovanni is twice blessed; this happened last week not in Vienna or London, but right here. There were noticeable dissimilarities between the L.A. Opera’s Figaro at the Music Center … Continue reading

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Lou, At Last

The Philharmonic’s final con-cert of the old year began with Lou Harrison‘s Suite for Violin, Piano and Small Orchestra, magic made audible. James DePreist conducted, replacing the indisposed Franz Welser-Most; Robert McDuffie and Christopher Taylor were the soloists. The 10-member … Continue reading

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