Author Archives: Alan Rich

Witchcraft

I had forgotten — if, indeed, I ever knew — the somber, deep beauties of On Wenlock Edge. Nothing of Ralph Vaughan Williams’ music, I must confess, has been a boon companion the past few years, perhaps as my expiation … Continue reading

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Rage, RAGE Against the Dying

Only 16 years (1945–1961) separate Benjamin Britten‘s Peter Grimes from his War Requiem; they are alike in many ways but different in many more. Hearing them both on the same day, last Saturday at the Dorothy Chandler Pavilion, underlined their … Continue reading

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Benjamin Britten

By accident or by design, two of Los Angeles’ major musical organizations have taken on Benjamin Britten simultaneously this month. If you were at the Performing Arts Center of Los Angeles County – the mouthful of a new name for … Continue reading

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Shards

There is comfort in the news that millenniums don‘t occur very often. The accumulated ”Year 2000“ observances already loom large, and there is no guarantee that the year 2001 — which some sticklers insist is the real turning point — … Continue reading

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The Moon and the Stars

Certain performances go beyond mere greatness; they serve to define both the music and the act of perceiving it. This is, of course, a personal matter; you cherish your list of defining events, and I cherish mine. I can never … Continue reading

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The Power of 9

In Japan, an estimable guidebook informs us, Beethoven’s Ninth Symphony is the end-of-the-year music of choice, even ahead of “Auld Lang Syne” in public affection. “Concert performances are held everywhere,” we are told, “and many amateur singers look forward to … Continue reading

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Plácidalia: The Empire Strikes Ahead

Photo by Peter Mountain First there was the promise: “Operalia,” Plácido Domingo’s contest teeming with enough spectacular young singing talent to run half a dozen opera companies. Then there was fulfillment: Aïda at long last, imperfectly sung but strongly led; … Continue reading

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The Grandeur That Was (Or Might Have Been) Egypt

Finally Aida, worth the wait if not quite worth the weight. The auspices are splendid: the 15th opening night for a company that some had predicted wouldn’t reach its second; the inaugural effort for a new artistic director, and, for … Continue reading

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Domingo/Wagner

Los Angeles, September 11. To the small but ardent hordes of compleat Wagnerites hereabouts, denied sustenance over the years – a mere two productions in 14 seasons –  by the Los Angeles Opera’s favoring glances toward other repertories, this past … Continue reading

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LA OPERA “AIDA”

Any opera company worth its music stands, or so you’d think, would honor  “Aida” as a the crown jewel in its repertory; no other opera, after all, so fully epitomizes everything embraced under the term “operatic.” Still, it has taken … Continue reading

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