Author Archives: Alan Rich

Ludwig Lives

It may well be true, as a colleague pointed out in last Sunday’s L.A.Times, that the Beethoven glut has reached the point of absurdity, that the hundred-or-so available recordings of the Fifth Symphony are 95-or-so too many. It is equally … Continue reading

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Voice Lessons

The bel canto superstar urges the music of her madness toward its climax; she takes aim at the stratospheric E-flat on which much of her renown rests, scores a bull’s- eye; the audience, its own blood throbbing to every nuance … Continue reading

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CLASSCOL

The news is not all bad. Over the usual sour coffee and sweet rolls last week, the Los Angeles Philharmonic announced its upcoming season with something close to justifiable pride. It begins to look as if we have a music … Continue reading

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CLASSCOL

The mastery in “Kullervo” extends from the work itself — the words and music by Aulis Sallinen — to the splendor of the production at the Music Center. However strange Peter Hemmings’ gamble may have appeared, when he announced in … Continue reading

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CLASSCOL

It took about ten notes, sung by the Helsinki University Choir at the Music Center, at the start of last week’s Philharmonic concert, to remind us of what is sadly missing in the musical life of Los Angeles, and of … Continue reading

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CLASSCOL

Memories of last Wednesday’s unspeakable weather were handily dispelled that night at the Music Center, in the spell of enchantment cast by Barbara Hendricks. When did we last hear, anywhere in town, a program of pure art song — no … Continue reading

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CLASSCOL

The notion of a cultural entente between Los Angeles and Helsinki may seem somewhat far-fetched, but it seems to be working. Evidence is easily at hand this month, as the shadow of Kullervo falls upon the Music Center. This week … Continue reading

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CLASSCOL

When the roster of Los Angeles culture heroes is next compiled, the name of Lynn Harrell will figure close to the top. The smiling cellist, New York-born but of tall, blond Texas stock, has been a part of the local … Continue reading

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CLASSCOL

The curtain went up on the Music Center Opera’s new production of Bizet’s “Carmen,” which began its five-performance run on Wednesday night. There, on the empty stage, stood the Carmen, a figure in whom beauty and menace were equally merged. … Continue reading

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CLASSCOL

These haven’t been very good weeks at the Philharmonic. Two of the orchestra’s former leaders have been around as guest conductors, presenting new evidence as to why not to mourn their absence from our midst.Zubin Mehta’s visit ended earlier this … Continue reading

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