Category Archives: soiveheard.com

Alan Rich died April 23, 2010 of natural causes in his sleep at his home in West Los Angeles.

So in comes Hercules: not the one of Hollywood’s Reeves boys, not your circus strongman, but a suave Italian baritone, intoning praise for the art of lovemaking, Ars Amatoria well-defined by his own creator, a fellow name of Ovidius Naso, … Continue reading →

It might have happened; I mean, I might have rounded off my allotted span without once having heard a concerto for mandolin in a live performance. But I am blessed with friends of sterner stuff who, upon a recent Sunday, … Continue reading →

“There’s strange and wonderful stuff in this lifetime of Lou’s music,” I wrote in 1987, under the spell of the Cabrillo Festival. “Much of it is so damned beautiful, so open-handed and eager to please.” Just arrived from New York, … Continue reading →

This message delayed becaause of communications breakdown; thoughts still valid.. Fears and doubts, couched in terms of cynicism and the old fin-de-siècle blues, may truly be set aside after last week’s Philharmonic event at Disney Hall. Our young maestro has … Continue reading →

HAYDN THE HEAVEN-SENT This is a major anniversary year — for Haydn, Mendelssohn, Lincoln, etc. All are  being properly feted, none more lavishly or more deservedly, than Joseph Haydn (born 1809). On my desk sits one of many Haydn celebrations, … Continue reading →

ARRIVALS: My favorite Dudamel moment (so far) occurs during his 2007 performance of Bartók’s  Concerto for Orchestra – the performance in  Disney Hall, about two years into his romance with the L.A. Philharmonic and which you now can download via … Continue reading →

High over Cahuenga Pass, the fireworks spelled out the evening’s message: “Bienvenido Gustavo!” Others in the Philharmonic’s history among our ten previous music directors – Salonen, Previn, Giulini — had acceded more-or-less quietly to their podiums; not so, our new … Continue reading →

Expectations, about what a symphony by this renowned “holy minimalist” – with a resplendent legacy of choral masterworks  to back up his reputation — Arvo Pärt’s Fourth Symphony was one of the new works introduced by the Philharmonic earlier this … Continue reading →

Dateline Cahuenga Pass, August 30. It was good to be back. A series of small strokes had disarranged the components of my skull for most of the summer. I had missed most of the Hollywood Bowl season and, worse, a … Continue reading →