Monthly Archives: February 2002

SANTA FE OPERA

Think of a place in the high desert, a mile and a half above sea level. Oxygen is scarce at that altitude; it takes extra effort to climb  stairs or sing a cadenza. Water is scarce; maintaining a garden is … Continue reading

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An Offering You Can't Refuse

Photo by Mats LundquistFinally, and not a moment too soon, the Philharmonic has gotten around to Sofia Gubaidulina. Her Offertorium – composed in 1980, twice revised since then, dedicated to Gidon Kremer, who also made the first recording – remains … Continue reading

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Time Traveling

Happily adrift in the enchanting pseudo-Renaissance fakery of UCLA’s Powell Library, my ears coddled and cajoled by the authentic Renaissance harmonies of Francesco Landini‘s music interspersed with the raptures of Dante’s poetry, I beheld my own kind of vision. It … Continue reading

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RE: SAN FRANCISCO OPERA

San Francisco’s ardent Wagnerites, well-served by their opera company’s previous managements, now have reasons for some concern. Only one work by the object of their affection – and that the early and relatively brief Der fliegende Holländer – figures on … Continue reading

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Wolfgang and the D-Minor Demons

Photo Courtesy Opera PacificI had harsh words a few weeks ago about the key of D minor, as exploited in singularly unappealing works by Brahms and Schoenberg. But then came Mozart in that key: the demons rampant through Don Giovanni … Continue reading

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Dimitri Rising

“Pretty wild stuff,” said Esa-Pekka Salonen of the two early Shostakovich symphonies that formed the substance of the Philharmonic program two weeks ago, and pretty wild stuff they proved to be . . . wild, unruly and awful. If ever … Continue reading

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